1
00:00:02,026 --> 00:00:03,863
CRYSILDA: I see it now.

2
00:00:03,863 --> 00:00:04,865
‐ What?

3
00:00:04,865 --> 00:00:06,618
‐ How to make it right.

4
00:00:07,494 --> 00:00:09,582
How to get away clean.

5
00:00:09,582 --> 00:00:11,712
‐ [screaming]

6
00:00:15,427 --> 00:00:17,264
RITA: I'm looking for a girl.

7
00:00:17,264 --> 00:00:18,851
This is 16 years old,

8
00:00:18,851 --> 00:00:20,562
so she would be in her 30s now.

9
00:00:21,397 --> 00:00:22,692
<i>Her name is Annie.</i>

10
00:00:24,070 --> 00:00:25,698
<i>JOY: What were you gonna do</i>
<i>with me?</i>

11
00:00:25,698 --> 00:00:27,493
‐ Joy...

12
00:00:27,493 --> 00:00:29,956
‐ You were gonna kill us both,
weren't you?

13
00:00:29,956 --> 00:00:31,584
JOY: You need to go.

14
00:00:31,584 --> 00:00:34,131
‐ Joy, I'm not going anywhere
without you.

15
00:00:35,843 --> 00:00:37,054
[gunshot]

16
00:00:37,054 --> 00:00:38,683
DEPUTY: Hands up!

17
00:00:38,683 --> 00:00:41,020
‐ I did it!

18
00:00:41,020 --> 00:00:42,649
<i>AUGUSTIN: She brought me back.</i>

19
00:00:42,649 --> 00:00:45,195
The Wilkes woman brought
all of us back.

20
00:00:45,195 --> 00:00:46,949
‐ You're seeing signs
where there are none.

21
00:00:46,949 --> 00:00:49,996
‐ What vessel is suitable?
Show us the proper vessel.

22
00:00:49,996 --> 00:00:52,334
<i>SHERIFF BOUCHER: Her head's</i>
<i>swimming with antipsychotics.</i>

23
00:00:52,334 --> 00:00:53,879
<i>AUGUSTIN:</i>
<i>What was the problem?</i>

24
00:00:53,879 --> 00:00:56,175
‐ The medicine they use, it...

25
00:00:56,175 --> 00:00:57,637
confuses them.

26
00:00:57,637 --> 00:00:59,850
<i>AUGUSTIN: And the vessel?</i>

27
00:00:59,850 --> 00:01:02,104
<i>For Amity?</i>

28
00:01:02,104 --> 00:01:03,983
You chose her?
‐ No.

29
00:01:03,983 --> 00:01:05,987
<i>She chose us.</i>

30
00:01:05,987 --> 00:01:09,034
It's all happening exactly
as Amity said it would.

31
00:01:09,034 --> 00:01:11,581
<i>[dark music]</i>

32
00:01:18,261 --> 00:01:21,267
[door creaks]

33
00:01:28,616 --> 00:01:30,452
ACE: Hello, Anne.

34
00:01:30,452 --> 00:01:32,581
<i>[eerie music]</i>

35
00:01:32,581 --> 00:01:34,210
‐ Ace?

36
00:01:34,210 --> 00:01:35,212
[door slams]

37
00:01:35,212 --> 00:01:36,757
What's happening?

38
00:01:36,757 --> 00:01:39,553
They questioned me,
but they brought us here.

39
00:01:39,553 --> 00:01:41,683
Am I under arrest?

40
00:01:41,683 --> 00:01:44,271
‐ He's with us now.

41
00:01:44,271 --> 00:01:48,697
<i>♪ ♪</i>

42
00:01:48,697 --> 00:01:50,701
Let's find you a place
to clean up.

43
00:01:50,701 --> 00:01:54,041
<i>♪ ♪</i>

44
00:01:54,041 --> 00:01:57,047
<i>[strange echoing whistling]</i>

45
00:01:59,636 --> 00:02:02,642
<i>[Leonard Cohen's "Avalanche"]</i>

46
00:02:02,642 --> 00:02:09,614
<i>♪ ♪</i>

47
00:02:23,726 --> 00:02:26,188
[bell jingles]

48
00:02:26,188 --> 00:02:30,238
<i>♪ ♪</i>

49
00:02:30,238 --> 00:02:36,375
COHEN: ♪ I stepped
into an avalanche ♪

50
00:02:36,375 --> 00:02:39,089
♪ It covered up my soul ♪

51
00:02:39,089 --> 00:02:40,885
<i>♪ ♪</i>

52
00:02:40,885 --> 00:02:46,813
♪ When I am not
this hunchback that you see ♪

53
00:02:46,813 --> 00:02:50,070
♪ I sleep
beneath the golden hill ♪

54
00:02:50,070 --> 00:02:52,491
<i>♪ ♪</i>

55
00:02:52,491 --> 00:02:56,332
♪ You who wish
to conquer pain ♪

56
00:02:56,332 --> 00:03:02,427
♪ You must learn,
learn to serve me well ♪

57
00:03:02,427 --> 00:03:09,441
<i>♪ ♪</i>

58
00:03:12,907 --> 00:03:16,957
♪ You strike my side
by accident ♪

59
00:03:16,957 --> 00:03:18,418
<i>♪ ♪</i>

60
00:03:18,418 --> 00:03:22,092
♪ As you go down
for your gold ♪

61
00:03:22,092 --> 00:03:24,013
<i>♪ ♪</i>

62
00:03:24,013 --> 00:03:28,981
♪ The cripple here
that you clothe and feed ♪

63
00:03:28,981 --> 00:03:32,404
♪ Is neither starved
nor cold ♪

64
00:03:32,404 --> 00:03:39,418
<i>♪ ♪</i>

65
00:03:42,382 --> 00:03:45,388
<i>[ominous music]</i>

66
00:03:45,388 --> 00:03:52,402
<i>♪ ♪</i>

67
00:04:12,234 --> 00:04:14,279
‐ What have you found?

68
00:04:14,279 --> 00:04:15,783
‐ Her pills.

69
00:04:20,542 --> 00:04:23,548
<i>[suspenseful music]</i>

70
00:04:23,548 --> 00:04:27,013
<i>♪ ♪</i>

71
00:04:30,311 --> 00:04:37,325
<i>♪ ♪</i>

72
00:04:40,039 --> 00:04:43,045
<i>[disjointed, tense music]</i>

73
00:04:43,045 --> 00:04:49,516
<i>♪ ♪</i>

74
00:04:49,516 --> 00:04:52,147
<i>ANNIE: I saw this a week ago,</i>

75
00:04:52,147 --> 00:04:54,443
<i>and it was kind of</i>
<i>a flop house.</i>

76
00:04:54,443 --> 00:04:57,240
‐ We figure if we can
fix a place like this,

77
00:04:57,240 --> 00:04:59,453
we can fix anything.

78
00:04:59,453 --> 00:05:00,789
Anyone.

79
00:05:02,417 --> 00:05:04,379
As long as you're here,
you have sanctuary.

80
00:05:04,379 --> 00:05:06,718
<i>ANNIE: No, no,</i>
<i>we are not staying here.</i>

81
00:05:06,718 --> 00:05:09,431
‐ If you leave now,
you'd be taking your chances...

82
00:05:09,431 --> 00:05:10,851
<i>♪ ♪</i>

83
00:05:10,851 --> 00:05:12,897
With the state.

84
00:05:12,897 --> 00:05:15,903
Child Protective Services.

85
00:05:15,903 --> 00:05:18,449
<i>Everyone needs help sometimes.</i>

86
00:05:18,449 --> 00:05:20,788
No shame in it.

87
00:05:20,788 --> 00:05:22,540
<i>Stay the night.</i>

88
00:05:22,540 --> 00:05:24,963
<i>Until it's safe out there</i>
<i>for you and Joy.</i>

89
00:05:24,963 --> 00:05:28,010
JOY: [weeping]

90
00:05:46,756 --> 00:05:49,428
‐ Little love...

91
00:05:49,428 --> 00:05:51,808
[sighs]
I wanna fix it...

92
00:05:53,477 --> 00:05:56,317
But I don't know how.

93
00:05:56,317 --> 00:05:58,529
I just know we can't stay here.

94
00:05:58,529 --> 00:06:00,325
[door opens]

95
00:06:00,325 --> 00:06:03,581
[approaching footsteps]

96
00:06:03,581 --> 00:06:05,711
As soon as it's safe,
we'll leave.

97
00:06:05,711 --> 00:06:07,464
I promise.

98
00:06:09,301 --> 00:06:11,138
<i>EERIE VOICE: [whispering]</i>
<i>Annie...</i>

99
00:06:17,150 --> 00:06:19,614
ANNIE: Sweetheart...

100
00:06:19,614 --> 00:06:21,241
<i>EERIE VOICE: [whispering]</i>
<i>Annie...</i>

101
00:06:21,241 --> 00:06:25,124
<i>[tense music]</i>

102
00:06:25,124 --> 00:06:27,003
<i>Annie.</i>

103
00:06:28,172 --> 00:06:30,551
‐ What are you doing?

104
00:06:30,551 --> 00:06:32,848
Have you been
taking your pills?

105
00:06:32,848 --> 00:06:35,353
ANNIE:
Yes, they gave them back to me.

106
00:06:35,353 --> 00:06:42,367
<i>♪ ♪</i>

107
00:07:01,614 --> 00:07:04,369
CHRIS: I understand
Amity's vessel is here now.

108
00:07:04,369 --> 00:07:07,960
‐ Yes, she'll be back
with us soon.

109
00:07:10,423 --> 00:07:12,051
‐ And the doctor?

110
00:07:12,051 --> 00:07:15,391
VALERIE: Augustin says
it's time for her too.

111
00:07:15,391 --> 00:07:17,520
She's your affair now.

112
00:07:17,520 --> 00:07:23,658
<i>♪ ♪</i>

113
00:07:23,658 --> 00:07:25,829
[knocks on door]

114
00:07:30,338 --> 00:07:32,676
‐ Hey, what are you doing here?

115
00:07:34,554 --> 00:07:37,477
I've gotta get to work.
‐ I just need to talk to you.

116
00:07:40,066 --> 00:07:42,153
‐ So, where have you been?

117
00:07:44,032 --> 00:07:47,455
‐ If your brother's sleeping
at the office now...

118
00:07:47,455 --> 00:07:49,919
that means you've got the place
all to yourself.

119
00:07:49,919 --> 00:07:51,965
NADIA: So?

120
00:07:51,965 --> 00:07:54,010
‐ So maybe we can
find some virtue

121
00:07:54,010 --> 00:07:56,766
in the circumstances.

122
00:07:56,766 --> 00:07:59,062
‐ It's not a joke.

123
00:07:59,062 --> 00:08:01,066
CHRIS: [sighs]

124
00:08:03,738 --> 00:08:05,617
You two will work it out.

125
00:08:07,036 --> 00:08:08,330
It's time.

126
00:08:08,330 --> 00:08:10,418
‐ No, it's not.

127
00:08:10,418 --> 00:08:12,965
[gags]

128
00:08:12,965 --> 00:08:15,971
‐ [grunts softly]
‐ [gagging]

129
00:08:17,348 --> 00:08:20,604
‐ [grunting]

130
00:08:20,604 --> 00:08:22,150
‐ [grunts]
‐ [hollers]

131
00:08:22,150 --> 00:08:23,820
Bitch!

132
00:08:23,820 --> 00:08:26,158
<i>[dramatic music]</i>

133
00:08:26,158 --> 00:08:27,493
NADIA: [screams]

134
00:08:27,493 --> 00:08:29,289
CHRIS: [grunts, hollers]

135
00:08:29,289 --> 00:08:31,669
‐ What's wrong with you?!
‐ Kill you, bitch!

136
00:08:31,669 --> 00:08:33,047
NADIA: Chris, get off!

137
00:08:33,047 --> 00:08:34,549
‐ Chris is dead
and you're next.

138
00:08:34,549 --> 00:08:36,303
‐ What are you doing?!

139
00:08:36,303 --> 00:08:39,184
‐ Four fuckin' years
and you think you can get away?

140
00:08:39,184 --> 00:08:41,605
[both grunting]

141
00:08:48,077 --> 00:08:49,830
NADIA: [yelps]

142
00:08:52,043 --> 00:08:54,047
[panting]

143
00:08:58,263 --> 00:08:59,684
‐ It is time.

144
00:08:59,684 --> 00:09:03,650
Cell network,
phone lines, power.

145
00:09:05,027 --> 00:09:06,948
<i>Once we cut off</i>
<i>communication...</i>

146
00:09:08,910 --> 00:09:11,373
[lights clang]

147
00:09:11,373 --> 00:09:13,335
<i>Kill anyone that's left.</i>

148
00:09:13,335 --> 00:09:15,005
‐ [panting]

149
00:09:26,738 --> 00:09:28,825
[heavy thud]

150
00:09:28,825 --> 00:09:31,831
[wheels clattering]

151
00:09:41,809 --> 00:09:43,938
Hello?

152
00:09:43,938 --> 00:09:47,654
What the fuck?
[sighs]

153
00:09:47,654 --> 00:09:50,660
<i>[tense music]</i>

154
00:09:50,660 --> 00:09:56,546
<i>♪ ♪</i>

155
00:09:56,546 --> 00:09:58,802
[phone dock clicking]

156
00:09:58,802 --> 00:10:05,314
<i>♪ ♪</i>

157
00:10:05,314 --> 00:10:07,276
Is anybody here?

158
00:10:09,197 --> 00:10:11,034
Hello?

159
00:10:23,935 --> 00:10:26,899
<i>[melancholy music]</i>

160
00:10:26,899 --> 00:10:33,913
<i>♪ ♪</i>

161
00:11:36,121 --> 00:11:39,127
<i>[foreboding music]</i>

162
00:11:39,127 --> 00:11:46,141
<i>♪ ♪</i>

163
00:12:07,266 --> 00:12:09,772
VALERIE: There is something
you need to see.

164
00:12:09,772 --> 00:12:16,786
<i>♪ ♪</i>

165
00:12:21,086 --> 00:12:23,131
‐ Whose hand is this?

166
00:12:23,131 --> 00:12:25,344
‐ The girl's.

167
00:12:25,344 --> 00:12:28,350
What if the daughter
is the vessel?

168
00:12:28,350 --> 00:12:30,855
‐ [speaking French]

169
00:12:41,459 --> 00:12:44,423
<i>[tense music rises,</i>
<i>crescendos]</i>

170
00:13:08,848 --> 00:13:15,820
<i>♪ ♪</i>

171
00:13:31,434 --> 00:13:33,480
Is this your daughter's?

172
00:13:33,480 --> 00:13:34,775
‐ Yeah.

173
00:13:34,775 --> 00:13:36,361
Did she leave it out?

174
00:13:36,361 --> 00:13:39,826
ACE:
She has a very unique style.

175
00:13:39,826 --> 00:13:41,747
Has she always been an artist?

176
00:13:41,747 --> 00:13:43,793
Joy.

177
00:13:43,793 --> 00:13:46,089
‐ Steady hand, that girl.

178
00:13:47,968 --> 00:13:51,140
ACE: Is she... doing better?

179
00:13:55,023 --> 00:13:57,277
If there's anything at all
that she needs‐‐

180
00:13:57,277 --> 00:14:00,785
a favorite meal, new clothes...

181
00:14:00,785 --> 00:14:03,039
art supplies.

182
00:14:03,039 --> 00:14:05,670
Even‐‐I hope
you'll forgive me‐‐

183
00:14:05,670 --> 00:14:07,716
uh...

184
00:14:07,716 --> 00:14:08,843
any medication.

185
00:14:08,843 --> 00:14:10,972
‐ No, nothing like that.

186
00:14:10,972 --> 00:14:12,934
She's not like‐‐
‐ Of course.

187
00:14:12,934 --> 00:14:14,520
I just wondered.

188
00:14:19,906 --> 00:14:21,325
[muffled thud]

189
00:14:25,793 --> 00:14:28,674
‐ That door...

190
00:14:28,674 --> 00:14:30,845
‐ Yes?

191
00:14:30,845 --> 00:14:32,682
‐ What's down there?

192
00:14:38,694 --> 00:14:40,489
‐ The basement.

193
00:14:40,489 --> 00:14:43,119
ANNIE: You keep it locked.

194
00:14:43,119 --> 00:14:44,623
‐ I do.

195
00:14:44,623 --> 00:14:46,084
We're finishing it.

196
00:14:46,084 --> 00:14:48,338
I don't want someone
to get hurt.

197
00:14:48,338 --> 00:14:51,344
<i>[sinister music]</i>

198
00:14:51,344 --> 00:14:58,358
<i>♪ ♪</i>

199
00:14:58,358 --> 00:15:01,447
<i>EERIE VOICE: [whispering]</i>
<i>Annie.</i>

200
00:15:13,889 --> 00:15:16,895
[metal clanging]

201
00:15:21,362 --> 00:15:23,199
NADIA: Hello?

202
00:15:29,295 --> 00:15:31,340
Miss Davis?

203
00:15:31,340 --> 00:15:33,136
What happened?
Where is everyone?

204
00:15:33,136 --> 00:15:34,723
‐ The parade came by.

205
00:15:34,723 --> 00:15:38,229
They went out to look,
and they never came back.

206
00:15:38,229 --> 00:15:41,068
They all kept talking
about a noise,

207
00:15:41,068 --> 00:15:42,279
but I couldn't hear it.

208
00:15:42,279 --> 00:15:45,160
‐ [grunting]

209
00:15:45,160 --> 00:15:48,166
[coughing, gasping]

210
00:15:48,166 --> 00:15:50,963
<i>♪ ♪</i>

211
00:15:50,963 --> 00:15:53,218
It hurts.
Jesus.

212
00:15:53,218 --> 00:15:55,055
‐ What hurts?

213
00:15:55,055 --> 00:15:56,767
‐ Get him out of me.
Get him away.

214
00:15:56,767 --> 00:15:59,104
I don't know what's happening.

215
00:15:59,104 --> 00:16:00,232
There's something inside of me!
‐ Chris, it's Nadia.

216
00:16:00,232 --> 00:16:01,400
There's no one here but us.

217
00:16:01,400 --> 00:16:03,739
‐ [gasping]

218
00:16:03,739 --> 00:16:04,991
What happened?

219
00:16:04,991 --> 00:16:07,329
‐ You attacked me
is what happened.

220
00:16:07,329 --> 00:16:09,458
‐ There's someone‐‐

221
00:16:09,458 --> 00:16:11,755
someone inside of me.

222
00:16:11,755 --> 00:16:14,343
[panting]

223
00:16:14,343 --> 00:16:15,972
[groans]

224
00:16:15,972 --> 00:16:17,642
‐ Listen, you're having
a psychotic break.

225
00:16:17,642 --> 00:16:20,773
I'm treating you with Haldol
to stabilize you.

226
00:16:20,773 --> 00:16:23,069
I know what you're feeling
feels very real right now‐‐

227
00:16:23,069 --> 00:16:25,573
‐ It is real.
It's all‐‐it's all real.

228
00:16:25,573 --> 00:16:27,870
They're coming for you, Nadia.

229
00:16:27,870 --> 00:16:30,292
They're coming for everyone.

230
00:16:30,292 --> 00:16:32,880
‐ Chris? Chris?

231
00:16:35,510 --> 00:16:37,849
EERIE VOICE: [whispering]
Annie.

232
00:16:39,018 --> 00:16:40,813
Can't you see

233
00:16:40,813 --> 00:16:43,986
what these dirty birds want?

234
00:16:43,986 --> 00:16:45,196
Can't you see

235
00:16:45,196 --> 00:16:48,244
how you're giving in to them?

236
00:16:48,244 --> 00:16:50,833
Giving her to them.

237
00:16:52,294 --> 00:16:55,258
Dirty words in a dirty book...

238
00:16:56,636 --> 00:16:59,809
Blind you
to what's really going on,

239
00:16:59,809 --> 00:17:02,899
just like they did
with your father.

240
00:17:02,899 --> 00:17:04,611
[no audible dialogue]

241
00:17:04,611 --> 00:17:06,322
<i>[echoing] Annie...</i>

242
00:17:06,322 --> 00:17:07,950
‐ [whimpers]

243
00:17:07,950 --> 00:17:09,203
‐ Annie!

244
00:17:09,203 --> 00:17:12,334
‐ [hyperventilating]

245
00:17:12,334 --> 00:17:15,340
<i>[sinister music]</i>

246
00:17:15,340 --> 00:17:22,354
<i>♪ ♪</i>

247
00:17:32,667 --> 00:17:36,340
‐ [gasping]

248
00:17:36,340 --> 00:17:39,346
[screams]

249
00:17:39,346 --> 00:17:41,308
This isn't real.

250
00:17:41,308 --> 00:17:44,398
<i>CRYSILDA: They put filth</i>
<i>inside her.</i>

251
00:17:44,398 --> 00:17:46,026
‐ [whimpering]
You aren't‐‐you aren't real!

252
00:17:46,026 --> 00:17:47,571
<i>CRYSILDA: Get her clean!</i>

253
00:18:09,031 --> 00:18:11,703
‐ Did you get any sleep?

254
00:18:11,703 --> 00:18:13,707
‐ I guess.

255
00:18:13,707 --> 00:18:17,214
‐ Nothing like
a nice, long sleep.

256
00:18:18,424 --> 00:18:21,430
‐ [breathing heavily]

257
00:18:24,520 --> 00:18:26,858
‐ Joy?

258
00:18:30,866 --> 00:18:33,120
‐ Why are you
being so nice to us?

259
00:18:33,120 --> 00:18:34,791
ACE: [chuckles]

260
00:18:34,791 --> 00:18:37,546
‐ You weren't like this
when we first got here.

261
00:18:40,552 --> 00:18:42,097
‐ People change.

262
00:18:42,097 --> 00:18:43,599
ANNIE: Joy?

263
00:18:43,599 --> 00:18:46,605
<i>[eerie music]</i>

264
00:18:46,605 --> 00:18:49,821
<i>♪ ♪</i>

265
00:18:49,821 --> 00:18:52,660
[rapid approaching footsteps]

266
00:18:54,664 --> 00:19:00,341
<i>♪ ♪</i>

267
00:19:00,341 --> 00:19:03,807
ACE:
That appalling man you met,

268
00:19:03,807 --> 00:19:06,646
he was at a funny place
in his life.

269
00:19:06,646 --> 00:19:09,861
Turns out, his time was up,

270
00:19:09,861 --> 00:19:12,783
and now he feels like a...

271
00:19:12,783 --> 00:19:15,789
distant memory.

272
00:19:17,334 --> 00:19:20,173
Think you might
like a change, Joy?

273
00:19:20,173 --> 00:19:22,052
Given what you've been through.

274
00:19:22,052 --> 00:19:29,066
<i>♪ ♪</i>

275
00:19:35,161 --> 00:19:37,499
Terrible thing...

276
00:19:37,499 --> 00:19:40,088
to see someone die like that...

277
00:19:40,088 --> 00:19:42,509
and right in front of you.

278
00:19:42,509 --> 00:19:46,392
And to be responsible
for someone's death.

279
00:19:46,392 --> 00:19:49,439
‐ No, no, it was an accident.

280
00:19:51,110 --> 00:19:53,782
‐ Things happen for a reason.

281
00:19:53,782 --> 00:19:56,245
[insects buzzing]

282
00:19:56,245 --> 00:19:58,457
And you did a bad thing.

283
00:19:58,457 --> 00:20:00,378
A terrible thing, Joy.

284
00:20:00,378 --> 00:20:03,134
Now you feel empty.

285
00:20:03,134 --> 00:20:04,177
A shell.

286
00:20:04,177 --> 00:20:07,392
<i>♪ ♪</i>

287
00:20:07,392 --> 00:20:10,023
‐ [whimpers softly]

288
00:20:10,023 --> 00:20:12,110
[yelps]

289
00:20:12,110 --> 00:20:14,489
<i>[sinister music]</i>

290
00:20:14,489 --> 00:20:16,786
JOY: [muffled screaming]

291
00:20:16,786 --> 00:20:18,623
‐ Shh.

292
00:20:18,623 --> 00:20:19,667
‐ Get off!

293
00:20:19,667 --> 00:20:21,086
ACE: But lucky you.

294
00:20:21,086 --> 00:20:23,842
‐ [muffled] Let me go!
Let me go!

295
00:20:23,842 --> 00:20:25,470
ACE: Not for long.

296
00:20:29,186 --> 00:20:32,192
<i>[dark music]</i>

297
00:20:32,192 --> 00:20:39,206
<i>♪ ♪</i>

298
00:20:57,450 --> 00:20:59,037
‐ [panting]

299
00:20:59,037 --> 00:21:01,375
[groaning]
‐ Just breathe.

300
00:21:01,375 --> 00:21:03,129
You're safe now.

301
00:21:05,383 --> 00:21:08,640
‐ Just give me more
of that stuff.

302
00:21:08,640 --> 00:21:10,936
I can't hold him back
any longer.

303
00:21:10,936 --> 00:21:14,025
[inhales hoarsely]
[groaning]

304
00:21:14,025 --> 00:21:16,113
<i>NADIA: Chris? Chris.</i>

305
00:21:17,115 --> 00:21:18,450
‐ [yelps]

306
00:21:18,450 --> 00:21:20,831
NADIA:
I'm getting more medicine.

307
00:21:20,831 --> 00:21:23,837
‐ [groaning, straining]

308
00:21:23,837 --> 00:21:26,843
<i>[suspenseful music]</i>

309
00:21:26,843 --> 00:21:31,226
<i>♪ ♪</i>

310
00:21:31,226 --> 00:21:33,815
[door opens]

311
00:21:33,815 --> 00:21:37,781
BILLY: Just sweep
the building for people
and shoot anyone that's left.

312
00:21:37,781 --> 00:21:44,795
<i>♪ ♪</i>

313
00:21:47,467 --> 00:21:49,179
‐ Chris, there are men here
with guns.

314
00:21:49,179 --> 00:21:52,060
‐ My men, and I'll enjoy
watching what they do to you.

315
00:21:52,060 --> 00:21:55,107
‐ What?
‐ I'm in here, brothers!

316
00:21:55,107 --> 00:21:58,113
[muffled screaming]
‐ [shushes]

317
00:21:59,532 --> 00:22:01,161
‐ Hello, boys!
I'm in here!

318
00:22:01,161 --> 00:22:02,497
NADIA: Shut the fuck up!

319
00:22:02,497 --> 00:22:06,088
‐ [muffled screaming]

320
00:22:06,088 --> 00:22:13,102
<i>♪ ♪</i>

321
00:22:14,981 --> 00:22:17,653
[distant clatter]

322
00:22:17,653 --> 00:22:19,657
[muffled holler]

323
00:22:19,657 --> 00:22:26,671
<i>♪ ♪</i>

324
00:22:30,846 --> 00:22:33,183
[gunfire]
[glass shatters]

325
00:22:33,183 --> 00:22:34,770
[gunfire continues]

326
00:22:34,770 --> 00:22:36,774
‐ [grunting]

327
00:22:39,571 --> 00:22:41,575
‐ [screams]

328
00:22:41,575 --> 00:22:42,870
CHRIS: You're all gonna die!

329
00:22:42,870 --> 00:22:44,832
‐ Fuck!

330
00:22:44,832 --> 00:22:47,295
[panel beeps]

331
00:22:47,295 --> 00:22:49,842
‐ [muffled grunting]

332
00:22:53,892 --> 00:22:54,894
[gunshot]

333
00:22:56,647 --> 00:22:57,649
[gunshot]

334
00:23:01,616 --> 00:23:03,202
BILLY:
Open the fucking door!

335
00:23:03,202 --> 00:23:04,997
‐ [grunts]

336
00:23:04,997 --> 00:23:06,834
[door rattling]

337
00:23:08,545 --> 00:23:10,049
Go around the back!

338
00:23:10,049 --> 00:23:11,928
‐ You're not
getting out of here alive.

339
00:23:11,928 --> 00:23:13,890
Open the door.

340
00:23:16,646 --> 00:23:18,273
[grunts]

341
00:23:18,273 --> 00:23:21,279
<i>[suspenseful music]</i>

342
00:23:21,279 --> 00:23:28,293
<i>♪ ♪</i>

343
00:23:32,301 --> 00:23:35,057
No, don't, don't.

344
00:23:35,057 --> 00:23:37,270
‐ [panting]
‐ Don't, don't‐‐

345
00:23:37,270 --> 00:23:39,482
‐ It's just a little Haldol.
Come on, Chris!

346
00:23:39,482 --> 00:23:41,153
‐ [grunts]

347
00:23:47,666 --> 00:23:50,881
[rattling]
[muffled chatter]

348
00:23:55,765 --> 00:23:57,769
TIMOTHY:
Did you find the Wilkes woman?

349
00:23:57,769 --> 00:23:59,773
VALERIE: No, not yet.
Search the grounds.

350
00:23:59,773 --> 00:24:01,736
Go up to the girl.

351
00:24:01,736 --> 00:24:03,071
No one gets in.

352
00:24:03,071 --> 00:24:05,576
Not until sunset tomorrow.

353
00:24:06,829 --> 00:24:08,958
ANNIE: Joy‐‐no, no.

354
00:24:12,131 --> 00:24:15,137
[water dripping]

355
00:24:17,099 --> 00:24:19,688
‐ Find her.

356
00:24:19,688 --> 00:24:22,318
Get her clean.

357
00:24:22,318 --> 00:24:25,992
Get her out
of this dirty world.

358
00:24:36,304 --> 00:24:39,102
<i>[sinister music]</i>

359
00:24:39,102 --> 00:24:46,116
<i>♪ ♪</i>

360
00:25:07,033 --> 00:25:09,329
[clatter]

361
00:25:09,329 --> 00:25:16,343
<i>♪ ♪</i>

362
00:25:26,279 --> 00:25:27,281
‐ [gasps]

363
00:25:28,951 --> 00:25:31,624
[muffled screaming]

364
00:25:34,003 --> 00:25:36,549
‐ Where's my girl?

365
00:25:36,549 --> 00:25:38,053
‐ [muffled]
I don't know, you bitch!

366
00:25:38,053 --> 00:25:39,973
[muffled screaming]

367
00:25:39,973 --> 00:25:42,353
‐ Look what you're
making me do.

368
00:25:42,353 --> 00:25:44,565
[breathing heavily]
‐ Up in the attic!

369
00:25:44,565 --> 00:25:46,361
Attic!

370
00:25:46,361 --> 00:25:47,446
[muffled screaming]

371
00:25:47,446 --> 00:25:49,575
ANNIE: [grunts]

372
00:25:49,575 --> 00:25:51,496
[screams]

373
00:25:52,624 --> 00:25:54,920
[both screaming]

374
00:25:56,047 --> 00:25:58,803
‐ [gasping]

375
00:26:02,226 --> 00:26:09,240
<i>♪ ♪</i>

376
00:26:16,087 --> 00:26:17,381
[door slams]

377
00:26:20,387 --> 00:26:21,682
[lock clicks]

378
00:26:21,682 --> 00:26:28,654
<i>♪ ♪</i>

379
00:26:37,839 --> 00:26:40,302
[object clatters]

380
00:26:40,302 --> 00:26:41,847
ANNIE: [screams]

381
00:26:41,847 --> 00:26:43,433
‐ Helene?

382
00:26:46,314 --> 00:26:48,318
Helene?

383
00:26:48,318 --> 00:26:50,489
Helene?
What happened?

384
00:26:50,489 --> 00:26:51,742
[object scrapes]

385
00:26:59,465 --> 00:27:02,471
<i>[intense music]</i>

386
00:27:02,471 --> 00:27:09,443
<i>♪ ♪</i>

387
00:27:25,852 --> 00:27:27,146
‐ [gasps]

388
00:27:29,066 --> 00:27:30,235
[board clatters]

389
00:27:30,235 --> 00:27:32,448
JOY: Mom?
‐ Oh, little love.

390
00:27:32,448 --> 00:27:36,456
Oh.
[breathing heavily]

391
00:27:36,456 --> 00:27:38,043
‐ What's happening?

392
00:27:38,043 --> 00:27:40,965
ANNIE: We're getting out,
that's what.

393
00:27:42,677 --> 00:27:44,263
‐ What did they do to you?

394
00:27:44,263 --> 00:27:46,476
CRYSILDA: [whispering]
Annie.

395
00:27:46,476 --> 00:27:49,608
You have to save her...

396
00:27:49,608 --> 00:27:53,073
like I tried to do for you.

397
00:27:53,073 --> 00:27:55,118
CRYSILDA: You know
there's only one way out

398
00:27:55,118 --> 00:27:57,164
of this dirty world.

399
00:27:57,164 --> 00:28:00,838
You know what you have to do.

400
00:28:00,838 --> 00:28:03,051
End your pain.

401
00:28:03,051 --> 00:28:05,890
End her pain.

402
00:28:05,890 --> 00:28:08,061
‐ Joy...

403
00:28:08,061 --> 00:28:09,563
‐ Mom.
‐ We're gonna...

404
00:28:09,563 --> 00:28:11,526
CRYSILDA: Kill her, Annie.

405
00:28:11,526 --> 00:28:13,238
Make her clean.

406
00:28:13,238 --> 00:28:14,407
[baby crying]

407
00:28:14,407 --> 00:28:16,870
Make her clean.

408
00:28:16,870 --> 00:28:18,581
<i>Get her clean.</i>

409
00:28:18,581 --> 00:28:21,630
<i>Make her clean.</i>

410
00:28:21,630 --> 00:28:23,801
‐ [gasps]

411
00:28:23,801 --> 00:28:25,680
‐ Mom, can we go?

412
00:28:25,680 --> 00:28:27,307
‐ [breathing shakily]

413
00:28:27,307 --> 00:28:28,894
‐ Mom?

414
00:28:28,894 --> 00:28:33,821
<i>♪ ♪</i>

415
00:28:33,821 --> 00:28:36,033
‐ Hang on to me, okay?

416
00:28:36,033 --> 00:28:37,746
Don't make a sound.

417
00:28:37,746 --> 00:28:44,760
<i>♪ ♪</i>

418
00:28:47,891 --> 00:28:50,897
[indistinct whispered chatter]

419
00:29:05,760 --> 00:29:12,774
<i>♪ ♪</i>

420
00:29:47,886 --> 00:29:50,892
[birds chirping]

421
00:29:59,033 --> 00:30:02,039
‐ [breathing shallowly]

422
00:30:02,039 --> 00:30:05,045
<i>[tense music]</i>

423
00:30:05,045 --> 00:30:08,844
<i>♪ ♪</i>

424
00:30:08,844 --> 00:30:10,347
[pounding on door]
BILLY: Doctor!

425
00:30:10,347 --> 00:30:12,601
Let's try this again!

426
00:30:12,601 --> 00:30:14,146
NADIA: No!
‐ One life for two!

427
00:30:14,146 --> 00:30:17,110
How does that sound?

428
00:30:17,110 --> 00:30:18,906
CHRIS:
Nadia, don't open the door.

429
00:30:18,906 --> 00:30:21,912
‐ Ten!
‐ Don't open the door.

430
00:30:21,912 --> 00:30:24,124
‐ Nine!
‐ No, no, no, no, no.

431
00:30:24,124 --> 00:30:25,962
CHRIS: Don't open it.
BILLY: Eight!

432
00:30:25,962 --> 00:30:28,091
‐ I can see‐‐
I can see what he's seen.

433
00:30:28,091 --> 00:30:30,178
Don't open the door.
[gasps]

434
00:30:30,178 --> 00:30:32,557
Give me more of that drug.
‐ Six!

435
00:30:32,557 --> 00:30:35,355
CHRIS: Give me more Haldol.

436
00:30:35,355 --> 00:30:37,610
BILLY: Five!
‐ Nadia, I can hold him back.

437
00:30:37,610 --> 00:30:38,988
It has to be now.

438
00:30:38,988 --> 00:30:40,198
[pounding on glass]

439
00:30:40,198 --> 00:30:42,119
BILLY: Three!

440
00:30:42,119 --> 00:30:43,622
Two!

441
00:30:43,622 --> 00:30:44,791
[muffled crash]
[Nadia screams]

442
00:30:44,791 --> 00:30:46,168
[glass shatters]

443
00:30:46,168 --> 00:30:48,799
‐ [whimpering]

444
00:30:51,345 --> 00:30:53,016
[gasps]

445
00:30:53,016 --> 00:30:54,769
[panel beeps]

446
00:30:56,105 --> 00:30:57,942
BILLY: Bertrand?

447
00:31:02,325 --> 00:31:04,706
‐ Thank you.

448
00:31:04,706 --> 00:31:07,294
She's back there.

449
00:31:12,596 --> 00:31:14,433
[both grunt]

450
00:31:15,895 --> 00:31:19,109
[both grunting]

451
00:31:19,109 --> 00:31:20,863
[gunshot]

452
00:31:25,205 --> 00:31:28,211
NADIA: [grunts]
‐ [groaning]

453
00:31:30,090 --> 00:31:31,550
‐ [whimpering]

454
00:31:31,550 --> 00:31:35,851
[repeating]
No, no, no, no, no, no.

455
00:31:35,851 --> 00:31:37,647
‐ It's...
[panting]

456
00:31:37,647 --> 00:31:39,233
It's okay.

457
00:31:39,233 --> 00:31:40,568
‐ I'll get you into surgery.

458
00:31:40,568 --> 00:31:42,615
‐ No, Nadia.
I'm not really here.

459
00:31:44,034 --> 00:31:46,998
I'm already gone.

460
00:31:46,998 --> 00:31:48,627
[groans]

461
00:31:50,213 --> 00:31:53,010
You have to stop them.

462
00:31:53,010 --> 00:31:54,931
‐ Chris...
[weeping]

463
00:31:54,931 --> 00:31:57,645
‐ [grunts]
Just...

464
00:31:58,897 --> 00:32:00,734
Just know...

465
00:32:03,239 --> 00:32:05,577
I alway‐‐I always...

466
00:32:15,931 --> 00:32:19,146
‐ [screams]

467
00:32:19,146 --> 00:32:22,152
<i>[brooding music]</i>

468
00:32:22,152 --> 00:32:29,166
<i>♪ ♪</i>

469
00:33:03,150 --> 00:33:04,737
VALERIE: [whistling]

470
00:33:04,737 --> 00:33:06,908
This way.

471
00:33:06,908 --> 00:33:08,494
There they are.

472
00:33:08,494 --> 00:33:09,998
Over there.

473
00:33:09,998 --> 00:33:16,761
<i>♪ ♪</i>

474
00:33:26,656 --> 00:33:29,662
[crowd murmuring]

475
00:33:36,676 --> 00:33:37,928
‐ [grunts]

476
00:33:40,934 --> 00:33:42,270
Joy?

477
00:33:44,274 --> 00:33:46,028
‐ [grunts]

478
00:33:46,028 --> 00:33:47,740
[both grunting]

479
00:33:47,740 --> 00:33:49,702
Come on!

480
00:33:49,702 --> 00:33:51,246
‐ Joy!

481
00:33:52,958 --> 00:33:55,213
Joy, no!

482
00:33:55,213 --> 00:33:56,590
Joy!

483
00:33:56,590 --> 00:33:58,970
Joy, don't!

484
00:33:58,970 --> 00:34:01,058
Joy!

485
00:34:02,227 --> 00:34:03,521
Joy!

486
00:34:03,521 --> 00:34:06,485
<i>[echoing tone]</i>

487
00:34:06,485 --> 00:34:09,491
<i>[solemn music]</i>

488
00:34:09,491 --> 00:34:16,505
<i>♪ ♪</i>